A white-gloved slap in the face to anyone who works with numbers, the French language has no individual word for “seventy”, “eighty”, or “ninety”! Seventy is “sixty-ten”, eighty is “four-twenties”, and “ninety” is “four-twenty-ten”. The resulting barrage of numbers rattled off by clerks charging me for, say, a cup of coffee or two photocopies has frequently left me aghast with sticker shock, only to be baffled again by the mountain of change they return to me. Each time I walk out of their shops trying to sound out the combination-lock code they had just recited, I appreciate the utility of cash registers with customer-facing totals.
At a landing about 150 steps up the hill toward Sacré Couer, I was surprised to find a skinny college-aged kid playing a piano as accompaniment to a rapper. How and why in the world would one endeavor to bring a piano up there? And even more mysterious, how does the basilica remain so gleaming white after 200 years? In a city of postcard images, Sacré Couer is the one I find the most beautiful.
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I have discovered that the secret to fitting seamlessly into Paris cafes is the same as the secret to everything else–portray confidence and everyone will assume you know what you are doing. Do not, however, request modifications to menu items; such requests will be met with an explicit ‘No’ and an implicit ‘These recipes have been developed over many years with great expertise; who are you to presume to improve upon them?’ Also, do not expect to garner the waitstaff’s attention when you might desire it; they have a highly-evolved capacity to ignore.
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I picked up a copy of “L’Officiel des Spectacles” which lists the numerous free performances of classical music throughout the city. Although it is not mentioned in the publication, every night around 11:00 outside my window some old man performs a stirring rendition of “Hacking Up a Lung in G minor”. How many of the ubiquitous street-side cigarette butts has he accounted for over his years?
After he returned from a vacation to Paris, my last boss and I agreed that it would be good to redecorate our office with a Versailles theme. Something like this…
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…Unfortunately for us, at the time capital constraints did not allow for such improvements. Luckily for Louis XIV, there were no such constraints when he was the King of France. Nor was there such a thing as too much gold. “If all the gold at Versailles were added up and weighed, about how much would it amount to?” I asked our tour guide. “I don’t know and I refuse to know!” he responded, adding “At Versailles, we do not talk about money.” Yeah, right. I can imagine no finer monument to the display of wealth–room after room of eye-popping luxury and extravagance. And then you get to the gardens and the surrounding “miniature” châteaux. It’s really mind-blowing that anyone ever had the money (and the ego) to build this!
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The Contemporary Versailles Playlist (as selected by Louis XIV)
- Empire of the Sun – Lux [“I knew I was going to like them just from their picture!”]
- The Beatles – Sun King [“No less than The Beatles shall announce my arrival!”]
- The Kingsmen – Louie Louie [“I always have to change my wig after cutting a rug to this number!”]
- Bow Wow Wow – Louis Quatorze [“I simply cannot resist songs about ME!”]
- Ta-ku – Fourteen [“The morning after a particularly righteous soirée, I just need to chill out with my monogrammed ambient house jams!”]
- Queen – Killer Queen [“A whore quoting Marie Antoinette–how apropos!”]
- Prince – Diamonds and Pearls [“Any king would be proud to have such a masculine, libidinous prince!”]
- Lady Gaga – Poker Face [“A social climber with a middling title, but I just adore what she wears to my parties!”]
- Abba – Dancing Queen [“This is the song with which I charm my mistresses…”]
- The Rolling Stones – Play With Fire […and this is the one with which I seduce them.”]
- Vampire Weekend – M79 [“How did harpsichords and string quartets ever fall out of fashion?”]
- The Black Keys – Gold on the Ceiling [“Best suggestion my decorator ever had!”]